[ she's off, that much she can tell before roy steps into her room. she's tense when there's no reason to, she's on guard despite knowing there's no direct reason to be. but even as she knows this she can't bring herself to calm down. not while roy steps through the door, or even as he steps further into her room, drawing her attention away from that feeling that someone else was going to come through it. ]
Have you heard if anyone has made it through? [ a beat, and then she finally turns her attention towards roy, armed hand at her side. ] Or if there's some other danger outside?
[ but then she watches roy's eyes dart down to her pistol, and then turn on her, frowning.
all at once she feels more than a little ridiculous, and despite the way her body almost refuses her when she tells it, she does pull up the gun and slip it into safety mode, holstering it and realizing, as if for the first time, that her hands seem to be trembling. she tightens them into fists.
Plenty of people are outside. I've told the people who I've managed to get in contact with to remain outside until further instruction. No danger has been reported.
[ he keeps to the facts, still watching her . . . and once she puts the safety on, roy can take proper notice of her hands, which are shaking. there's a slight narrowing of his eyes, taking note of the movement, before he leans against the nearby bedside table, resting his hands against the surface to balance as he watches her. ]
[ but it's no real use, she understands, because roy is watching her and he most certainly sees the way her hands tremble before she balls them into fists. can probably tell how tense she is, even while she stands there. ]
I'll be fine, sir. [ which is true - she will be. ]
[ it's an honest answer; he really has no idea. there's not enough information, and experience does tell a specific story of what happens when overlords circle the wagons, but roy doesn't have enough information at hand to make a decision one way or another, which is part of the problem. ]
I know that we need to get out of here. And I also know that we have a way out of here, through Maes, and that you are going first.
[ there's not much room for argument, on that front. ]
And I know that we'll be fine. We have strength in numbers, this time. We won't be caught off guard again.
[ she knows that it was true, they just didn't know enough to know why. her own insistence in knowing was coming from that fear tucked deep under her ribs, and riza takes a breath to ease it out again.
except then there's roy, and her eyes shoot over to him. ]
But sir, I- [ and all it takes is a look at his expression to know that the decision has been made, and riza cuts herself off, pressing her lips firmly together to avoid any other further argument.
instead, riza nods - once, before looking back around her room, taking stock of anything she needs to bring with her. ]
Can General Hughes bring everyone out of here? Doesn't his ability drain him?
[ obviously, skipping over the moment of argument that riza had decided to let go. for the best, really. he isn't changing his mind anytime soon. ]
He'll be able to bring out individuals who require it, and I need you on the outside. I'm coordinating other people to help, too, but his ability is the most useful for getting people out as quickly as possible, without the notice of the guard.
If there are others, children especially, I don't need-
[ but there is something about roy's tone that makes riza aware that it doesn't matter what she says, or thinks - she is going with general hughes and that is it.
and roy has a plan. roy needs her on the outside. that's the end of the conversation, right there, and riza feels the cool sensation of professionalism wash through her. it's comforting, in its own way, as she turns back to him. ]
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
( action )
Have you heard if anyone has made it through? [ a beat, and then she finally turns her attention towards roy, armed hand at her side. ] Or if there's some other danger outside?
[ but then she watches roy's eyes dart down to her pistol, and then turn on her, frowning.
all at once she feels more than a little ridiculous, and despite the way her body almost refuses her when she tells it, she does pull up the gun and slip it into safety mode, holstering it and realizing, as if for the first time, that her hands seem to be trembling. she tightens them into fists.
get ahold of yourself, hawkeye. ]
( action )
[ he keeps to the facts, still watching her . . . and once she puts the safety on, roy can take proper notice of her hands, which are shaking. there's a slight narrowing of his eyes, taking note of the movement, before he leans against the nearby bedside table, resting his hands against the surface to balance as he watches her. ]
Are you going to be okay?
[ to be here. to focus. to fight, if necessary. ]
( action )
[ but it's no real use, she understands, because roy is watching her and he most certainly sees the way her hands tremble before she balls them into fists. can probably tell how tense she is, even while she stands there. ]
I'll be fine, sir. [ which is true - she will be. ]
( action )
[ it's an honest answer; he really has no idea. there's not enough information, and experience does tell a specific story of what happens when overlords circle the wagons, but roy doesn't have enough information at hand to make a decision one way or another, which is part of the problem. ]
I know that we need to get out of here. And I also know that we have a way out of here, through Maes, and that you are going first.
[ there's not much room for argument, on that front. ]
And I know that we'll be fine. We have strength in numbers, this time. We won't be caught off guard again.
( action )
except then there's roy, and her eyes shoot over to him. ]
But sir, I- [ and all it takes is a look at his expression to know that the decision has been made, and riza cuts herself off, pressing her lips firmly together to avoid any other further argument.
instead, riza nods - once, before looking back around her room, taking stock of anything she needs to bring with her. ]
Can General Hughes bring everyone out of here? Doesn't his ability drain him?
( action )
[ obviously, skipping over the moment of argument that riza had decided to let go. for the best, really. he isn't changing his mind anytime soon. ]
He'll be able to bring out individuals who require it, and I need you on the outside. I'm coordinating other people to help, too, but his ability is the most useful for getting people out as quickly as possible, without the notice of the guard.
( action )
[ but there is something about roy's tone that makes riza aware that it doesn't matter what she says, or thinks - she is going with general hughes and that is it.
and roy has a plan. roy needs her on the outside. that's the end of the conversation, right there, and riza feels the cool sensation of professionalism wash through her. it's comforting, in its own way, as she turns back to him. ]
What are my orders, sir? When I'm on the outside.